‘Some think that each type of publication produces its own distinct form of journalism, inevitably regarded by its practitioners as superior to other kinds. It doesn’t. If you write and read enough stories, in the end, you realise that there really are only two types of journalism: good and bad.’ – David Randall, The Universal Journalist.
If you have anything you want to tell us, please write to us at [email protected].
●
In response to: “Eurovision Remains a Litmus Test for Europe’s Queer Communities.”
‘I thoroughly enjoyed reading your recent op-ed on Eurovision as a platform for queer representation and cultural dialogue. Eurovision has always been a fascinating mix of camp, politics, and artistry, and your analysis captured its significance within the LGBTQ+ community beautifully.
However, I found myself reflecting on the growing commercialization of Eurovision. While it has undeniably brought queer culture into the mainstream, does this visibility sometimes risk diluting its subversive edge? Are there ways to maintain its authenticity without losing the grassroots spirit that has made it so meaningful to queer communities?
I would also love to see more exploration of how Eurovision serves as a beacon of hope for LGBTQ+ people in less accepting parts of the world. The competition’s reach is enormous, and its messages of love and unity have the potential to create real social change.
Thank you for continuing to highlight such important topics in GAY45. It’s publications like yours that keep these discussions alive and impactful.’
Erik Lindström, Malmö, Sweden
●
In response to: “Fear and Hope in Romania’s Queer Population as the Far Right Nears Power.”
‘As someone who has followed the struggles of queer communities across Europe, I was struck by the duality of fear and hope your piece captured. The courage of activists in Romania or Slovakia, who continue to fight for visibility and rights in an increasingly hostile environment, is nothing short of inspiring. Their resilience serves as a reminder that queer liberation is a global struggle, and solidarity across borders is essential.
What concerns me most is the role of international organizations and governments. While grassroots activism is crucial, external pressure and support can sometimes make the difference between regression and progress. Are there any current initiatives from EU bodies or international LGBT+ organizations to counteract this rise in extremism? And how can readers like me contribute meaningfully to these efforts?
Thank you for shedding light on this pressing issue. Articles like these remind us of the importance of journalism that not only informs but also galvanizes action.’
Mihai Dragomirescu, Timișoara, Romania
●
In response to: “Now We Shall See the Bottom. Donald’s Bottom.”
‘Joe Biden should resign, allowing Kamala Harris to become America’s first female president, till 20 January. That would be a decent legacy.’
Dominic Shelmerdine, London, UK
●
In response to: “The Story Behind the Photo of Archduke Ludwig of Austria in Travesty.”
‘I was fascinated by your article on the photograph of Archduke Ludwig of Austria in travesty. It’s a captivating glimpse into a world where gender fluidity existed even within the rigid structures of imperial Europe. The story behind this image is a powerful reminder that queerness is not a modern invention but a timeless aspect of human expression.’
Oskar Heinz, Berlin, Germany
●
In response to: “The Dark Underbelly of Glamour: In the Psychopathic Shadow of John Galliano.”
‘I read your article on the “dark underbelly of glamour” surrounding John Galliano with a mix of intrigue and unease. It’s a bold move to scrutinize an icon whose name is often synonymous with fashion brilliance, and I appreciate your effort to dissect the psychopathic shadows lurking behind his artistry.
However, while the piece rightly critiques Galliano’s troubling behaviour and its impact on those around him, I found myself wanting a deeper exploration of the broader industry culture that enabled it. Fashion has long glorified the tortured genius, often excusing toxic behaviour as the price of brilliance. Is Galliano an outlier, or is he emblematic of a larger systemic issue that rewards talent at any cost?’
Juliette Moreau, Lyon, France
– – –
GAY45 is committed to publishing a diversity of articles, prose, and poetry. We’d like to hear what you think about this or any of our articles. And here’s our email if you want to send a letter: [email protected].
– – –
TODAY IS NOT AN EASY DAY
Queer press and books are forced into silence. Donald Trump is the president-elect of the USA. Europe is dominated by far-right political movements.
But we have something powerful on our side. We’ve got you. You make us strong.
GAY45 is funded by readers. Our editors decide what we publish—no one else.
Donate as much as you can. Every 5€ is a way to help the community, the independent press and fight against silence.
GAY45 is Europe’s leading queer magazine of culture, politics and ideas. Because of you.
Donate to support our Queer Journalism Campus and GAY45 now.
We appreciate it. Thanks for reading.
